{"id":1688,"date":"2026-03-25T13:38:04","date_gmt":"2026-03-25T12:38:04","guid":{"rendered":"https:\/\/www.labaldufateatre.com\/fr\/?p=1688"},"modified":"2026-03-25T13:49:11","modified_gmt":"2026-03-25T12:49:11","slug":"fantasmes-de-guerra-processus-creation","status":"publish","type":"post","link":"https:\/\/www.labaldufateatre.com\/fr\/fantasmes-de-guerra-processus-creation\/","title":{"rendered":"Comment nous avons cr\u00e9\u00e9 Fantasmes de Guerra (Fant\u00f4mes de guerre) : le processus de cr\u00e9ation d\u2019un spectacle interg\u00e9n\u00e9rationnel"},"content":{"rendered":"

Le processus de cr\u00e9ation de Fant\u00f4mes de guerre<\/em>\u00a0a \u00e9t\u00e9 long, partag\u00e9 et \u00e9troitement li\u00e9 au public. Lorsqu\u2019on voit un spectacle abouti, tout le travail en amont reste souvent invisible \u2014 mais ici, ce processus a \u00e9t\u00e9 essentiel pour d\u00e9finir le r\u00e9sultat final.<\/p>\n

De la premi\u00e8re id\u00e9e \u00e0 la cr\u00e9ation, environ deux ans et demi se sont \u00e9coul\u00e9s. Pendant cette p\u00e9riode, une part importante du travail a consist\u00e9 en une recherche approfondie : aborder la guerre civile espagnole \u00e0 travers les journaux r\u00e9els de combattants des deux camps, afin de construire une dramaturgie ancr\u00e9e dans des exp\u00e9riences v\u00e9cues.<\/p>\n

Un processus de cr\u00e9ation en lien avec le public<\/h6>\n

Au-del\u00e0 du travail de table, le processus de cr\u00e9ation de Fant\u00f4mes de guerre<\/em>\u00a0a \u00e9t\u00e9 avant tout sc\u00e9nique et ouvert. Nous avons travaill\u00e9 dans diff\u00e9rents lieux de r\u00e9sidence (comme le LAVA \u00e0 Valladolid, le Th\u00e9\u00e2tre de l\u2019Escorxador \u00e0 Lleida ou L\u2019Artes\u00e0 \u00e0 El Prat), en alternant p\u00e9riodes intensives de r\u00e9p\u00e9titions et pr\u00e9sentations ouvertes.<\/p>\n

Ces rencontres avec le public ont \u00e9t\u00e9 essentielles. Elles nous ont permis d\u2019observer le fonctionnement du spectacle et de l\u2019ajuster \u00e0 partir de l\u2019exp\u00e9rience r\u00e9elle en salle.<\/p>\n

Un spectacle interg\u00e9n\u00e9rationnel<\/h6>\n

Au d\u00e9part, nous pensions que le spectacle s\u2019adressait principalement aux \u00e9l\u00e8ves du cycle sup\u00e9rieur de primaire. Les premi\u00e8res r\u00e9p\u00e9titions ouvertes l\u2019ont confirm\u00e9, mais ont aussi r\u00e9v\u00e9l\u00e9 une surprise : des enfants plus jeunes s\u2019y connectaient \u00e9galement, notamment gr\u00e2ce \u00e0 l\u2019humour et aux \u00e9l\u00e9ments visuels.<\/p>\n

Nous avons ensuite \u00e9largi les tests \u00e0 d\u2019autres publics : adolescents et adultes. Le processus de cr\u00e9ation de Fant\u00f4mes de guerre<\/em>\u00a0nous a montr\u00e9 que le spectacle fonctionne aupr\u00e8s de publics tr\u00e8s vari\u00e9s.<\/p>\n

Les r\u00e9p\u00e9titions ouvertes interg\u00e9n\u00e9rationnelles ont mis en \u00e9vidence que le partage entre diff\u00e9rentes g\u00e9n\u00e9rations enrichit l\u2019exp\u00e9rience.<\/p>\n

Cela s\u2019est confirm\u00e9 lors d\u2019une s\u00e9rie de onze repr\u00e9sentations \u00e0 Lleida, avec des publics aux \u00e2ges, origines et r\u00e9alit\u00e9s diverses. Aujourd\u2019hui, Fant\u00f4mes de guerre<\/em>\u00a0est un spectacle interg\u00e9n\u00e9rationnel qui touche un large public.<\/p>\n

Un processus qui d\u00e9finit le spectacle<\/h6>\n

Lorsque nous affirmons que Fant\u00f4mes de guerre<\/em>\u00a0est adapt\u00e9 \u00e0 partir du cycle sup\u00e9rieur de primaire, ce n\u2019est pas une intuition. C\u2019est le r\u00e9sultat d\u2019un processus de cr\u00e9ation fond\u00e9 sur l\u2019exp\u00e9rimentation, le dialogue avec le public et une validation continue.<\/p>\n

Pour nous, cette mani\u00e8re de travailler est essentielle : tester, \u00e9couter, ajuster et faire \u00e9voluer le spectacle avec le public.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le processus de cr\u00e9ation de Fant\u00f4mes de guerre\u00a0a \u00e9t\u00e9 long, partag\u00e9 et \u00e9troitement li\u00e9 au public. Lorsqu\u2019on voit un spectacle...<\/p>\n","protected":false},"author":2,"featured_media":1696,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\nComment nous avons cr\u00e9\u00e9 Fantasmes de Guerra (Fant\u00f4mes de guerre) : le processus de cr\u00e9ation d\u2019un spectacle interg\u00e9n\u00e9rationnel - La Baldufa Teatre<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez le processus de cr\u00e9ation de Fant\u00f4mes de guerre, un spectacle interg\u00e9n\u00e9rationnel de La Baldufa construit en dialogue avec le public.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.labaldufateatre.com\/fr\/fantasmes-de-guerra-processus-creation\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Comment nous avons cr\u00e9\u00e9 Fantasmes de Guerra (Fant\u00f4mes de guerre) : le processus de cr\u00e9ation d\u2019un spectacle interg\u00e9n\u00e9rationnel - 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